Reese Galido – San Luis Obispo

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Reese Galido is the lead singer of the Reese Galido Trio and The Kicks. I met Reese for the first time at a bonfire in Avila Beach at least six or seven years ago. We talked about our shared love of Scotch whisky and I’m not sure what else. When I got back in touch with Reese earlier this year to see if she would sit for a portrait, I wasn’t actually sure if she’d remember that we’d met before. Fortunately for me she did, and she generously invited me to her home in downtown San Luis to shoot. (Also I got to meet her rabbit, Bunzo.)

The images below were made at the Steynberg Gallery in SLO, where Reese performed for the release of her most recent album, Unraveled. You can hear a bunch of Reese’s music for free here, and you can pick up a copy of Unraveled here (or on Internet-places like iTunes).

Reese Steynberg (1 of 2)

Reese Steynberg (2 of 2)

These photographs were all made on medium format film (Kodak Portra 160) using my Hasselblad 500cm. The film was processed by the wonderful Richard Photo Lab in Valencia, CA.

R2-D2 – Cal Poly San Luis Obispo Mechanical Engineering

Most of my images involve people. Until very recently, I don’t think I’d ever photographed anything that you’d call a “robot.” So even though R2-D2 (or “Artoo”) may be an iconic character from one of the most famous science fiction stories of all time, he’s definitely outside the realm of my usual subject matter. Take my word for it though, when you meet him in person, he’s at least as expressive as most of the humans I know.

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So how did I get access to this little blue guy? Well, among TV and movie watchers there’s a subset of fans who want a more visceral connection to a story than simply watching it unfold on a screen. Places like the Replica Prop Forum and the R2-D2 Builder’s Club cater to these fans, offering them a like-minded community of enthusiasts, instructions, encouragement, and even access to limited runs of custom-made difficult-to-find components. This droid’s builder, Alec Bialek, is a mechanical engineering student at Cal Poly San Luis Obispo. Alec takes his Artoo to events like the premier of The Force Awakens at SLO’s historic Fremont Theater, giving fans a chance to meet the famous droid in person. After seeing photos of Artoo at a recent school fundraiser, I contacted Alec, and he generously granted me an exclusive one-on-one to meet Artoo and make something along the lines of a ‘portrait of an astromech droid.’

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R2-D2 (4 of 6)

Alec’s Artoo isn’t completely finished yet – Alec is still working on the feet and the base of the body – which is why I mostly photographed Artoo from the “waist” up. When those last pieces are done, Alec is planning to weather Artoo so he looks a little more battle-worn, consistent with his appearance in the films.

R2-D2 (2 of 6)

The interesting part of making these images, at least for me, was exploring the space between portraiture and still life. Even in the Star Wars universe, Artoo isn’t quite a living thing, yet somehow he’s imbued with a very strong sense of agency and personality. That sense is borne partially from the puppetry and sound effects that you experience when you watch the film (or, if you’re lucky like me, when Alec fires up his remote control and has Artoo run circles around you while tweeting & whistling). But it also has a lot to do with Artoo’s basic visual design. He’s hardly anthropomorphic, but when his big, black, glassy eye is pointed in your direction, it’s hard not to feel like you’re being seen.

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R2-D2 (5 of 6)-bw

That sense is what I tried to capture in these last two images, and what I would very much like to capture with other similar subjects. If anybody reading this happens to know someone who’s built other character droids from popular sci-fi – such as WALL-E, Johnny Five, Marvin, Bender, H.E.L.P.e.R. or others, please don’t hesitate to share this post with them, and have them drop me a line.

Jonathan Stout, Los Angeles Bandleader – Arroyo Grande

Jonathan Stout is the bandleader of the Campus Five and the Jonathan Stout Orchestra based in Los Angeles, in addition to four other swing and jazz bands of various styles, sizes, and configurations. Jonathan is also one of my oldest friends, and during a recent visit to Arroyo Grande, he asked if I would help him produce some new promotional images in the visual style of the great jazz bandleaders of the 1930s. We reviewed available images of musicians like Count Basie, Benny Goodman, and Charlie Christian, and talked about what worked well about the best of these historical photographs. Jonathan also showed me some example advertisements, so I could see how he wanted to use the images to promote his music.

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The above two images were made on my go-to film – Kodak Portra 160 – which converts beautifully to black & white. (Somewhat to my amusement, it occurred to me that this is the first shoot I’ve ever done where my old medium-format film camera might qualify as inappropriately modern technology for the task at hand.)

After we shot a few rolls, including photographing Jonathan with three different gorgeous vintage guitars (for those interested: a 1932 Gibson L-5, a 1937 Gibson ES-150, and a National Style 1 Tricone), I made some more intimate portraits of Jonathan using a long-expired roll of Agfa XRS 1000. I half-guessed at the proper exposure, and while I was in the ballpark, the resulting images were washed out and super low-contrast (hopefully due to the age of the film and no error on my part!). A black & white conversion and a little love in the digital darkroom brought these photographs back to life, but the film grain in this final image is 100% analog.

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Mark “Gizmo” Grayson – San Luis Obispo

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Most people call Mark Grayson by his nickname, “Gizmo.” A gizmo, Mark explained to me, is different than a widget. He pointed to the rack on top of one of his gleaming silver panel vans (which he artfully refers to as “the toaster”), explaining, “that’s a widget.” If I understood correctly, widgets don’t have moving parts, but gizmos do.

Mark has spent most of career as a fabricator, designing and building gizmos and widgets for the less handy among us. His shop is packed to the brim with projects that include a retro Datsun and about a bazillion bicycles in all shapes and sizes.

If you’ve been to SLO’s famous Thursday night Bike Happening, where local cyclists ride nighttime laps around downtown SLO, then you’ve seen the kind of extreme-cycling design that Gizmo revels in. Riders in the Bike Happening show off everything from stock road bikes and cruisers to vintage rigs and elaborate homemade custom jobs (including the odd unicycle and trike). In addition to the bicycles themselves, the Bike Happening also reflects the fruit of Gizmo’s social and cultural influence in SLO – the monthly event is the evolution of a tradition that Gizmo helped start over fifteen years ago, with just a few dozen friends riding the same circuit through downtown SLO following the Thursday night Farmer’s Market. From these humble (but optimistic beginnings) the Bike Happening has grown to a massive “rain-doesn’t-cancel” event with hundreds of riders, most of whom dress in costume associated with the monthly theme. If you haven’t seen it, it’s a sight to behold, and if you haven’t ridden in it, it’s the Happening of a lifetime.

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Bersbach Holiday Card 2016

Bersbach Holiday Card 2016

This year Brittany and I travelled further down the rabbit hole of questionable Christmas card choices. And if it wasn’t already, I think three years in a row officially makes this a tradition. If you’ve visited Awkward Family Photos, then the inspiration for this year’s card is pretty obvious. If you haven’t, then we just look like crazy cat people. (And honestly, that’s fine by me.)

For the purpose of maintaining the historical record, here are our cards from 2014 and 2015.

Merry Christmas, Happy Holidays, and have an excellent 2016!